A Study On The Paintings Of The Door God In Zhuxianzhen

As an important part of China's door god painting,the door god painting in the woodcut New Year pictures of zhu xian town not only reflects the development and changes of door god from the shang and zhou dynasties to the Ming and qing dynasties,but also reappears the changes of the image of door god in the folk as well as the exchange and integration with politics,culture and religion.It not only contains the belief custom of door god painting in central China,but also leaves abundant image data.This paper analyzes the origin of the door god and the painting of the door god from the origin of the flow,the way of existence,the text records and the image data.Around the production and development of door god painting in zhu xian town,the cultural connotation of it is expounded.According to the regional characteristics of immortals township goalkeeper painting and pictures presentation,analyzed all kinds of different goalkeeper functional category,and are classified,the proportion of the image character is analyzed on the structure,the dynamic modelling,clothing weapons and form the whole picture composition,studied painting form and artistic value,its inheritance and carry forward,and its character characteristic,movement characteristic,the classification of the color of the order.