A Study On The Application Of Decorative Language In Tadanori Yokoo's Illustrated Works

As a famous modern artist in Japan,Tadanori Yokoo was active in the 1960 s.His works had a profound influence on the development of illustration art in Japan and even the world.He often USES the Japanese ukiyo-e painting and the distinctive cultural symbols of his own nation to create the unique and warm folk aesthetic culture and the collision of multicultural sparks.He is good at applying the techniques of copying and collage in the form of expression,and constantly seeks for various forms of creation combining traditional painting with new technology.This paper starts from the study of Tadanori Yokoo 's decorative language,takes the illustration design of Peng Cheng culture in Xuzhou as the starting point,explores the characteristics and manifestations of d Tadanori Yokoo 's ecorative language,and applies it to the practice of illustration creation.Horizontal tail loyalty is through detailed research process and the basic characteristics of decorative language form,respectively from two aspects of graphic design and traditional painting were analyzed,and in its illustration works in different periods to extract and decorative language research,explore the causes of the formation of horizontal tail loyalty is illustration decorative language,to know his decorative language of artistic value.Gradually discuss the expression form of folk aesthetic culture in his decorative language.Combined with the design of Peng Cheng cultural illustration,this paper extracts the techniques of Tadanori Yokoo 's decorative language and applies them to the design of Peng Cheng's Han cultural illustration,thus creating an illustration with both the decorative language characteristics of Tadanori Yokoo and the cultural charm of Peng Cheng.And its excellent decorative language can also serve other illustration designers.