The Image Building Study Of “Marginalized People” In Tian Er's Works

Tian Er is one of the important representative writers of the "Post-70s".In his nearly 20 years of writing career,he left behind a series of valuable literary works,which aroused great repercussions in the academic circle.Based on the close reading of Tian Er's works,this paper focuses on the analysis of the spiritual connotation and existence state of the "marginalized people" in Tian Er's novels,and makes a detailed combing and deep interpretation of the characteristics and types of the "marginalized people" in his works in different periods,so as to explore his unique narrative strategy.At the same time,it studies the profound literary value and social significance conveyed by Tian Er's works,trying to dig out Tian Er's human nature ideal and literary pursuit in the marginal groups.The main content of this paper is divided into four chapters.The first chapter explores the origin of the image theory of "marginalized people".From the perspective of theory and literary history,this paper attempts to summarize the development and changes of the image connotation of "marginalized people" in different perspectives,which provides some reference for the analysis of the image of "marginalized people" in Tian Er's works.Secondly,it explores the origin of Tian Er's writing of "marginalized people".The second chapter explores the image pedigree of "marginalized people" in Tian Er's works.First of all,this chapter summarizes the images of "marginalized people" created by Tian Er in different periods,then classifies and explains the images of "marginalized people" in his works,which are mainly divided into three types: marginalized people who are divorced from the "system",marginalized people who are not "urban" or "rural",marginalized people who are trapped in "depression" or "autistic".The third chapter explores the narrative strategies of "marginalized people" in Tian Er's works.This paper holds that Tian Er,with the help of the narrative voice corresponding to the marginal situation,the narrative space with the connotation of marginal metaphor,the narrative style full of irony and banter,the "Daily" and "plain" narrative direction,appeals the image of "marginalized people" to the pen,forming a set of narrative strategies with unique personal style.The fourth chapter discusses the value of Tian Er's "marginalized people" image.The image of "er cheng" marginalized people constructed by Tian Er not only enriches the image series of "marginalized people" in the two regional creations of Xiangxi and Guangxi,but also conveys Tian Er's concern and thinking about the current social reality and the living state of "marginalized people".