Oil Painting Series Of ?Years·Impression?

The development of society will inevitably bring about changes in people's way of life and behavior,and form changes in the era of aesthetic concepts.Looking back on the past,in the historical process of the years,the marks formed by the cultural signs and aesthetic symbols of each period will remain in the inadvertent corner.As a historical category,years have diachronic characteristics,and the imprints record the symbols of synchronic culture and aesthetics.They are representatives of the eras and witnesses of historical progress."Old things" are not only people's experience of life,but also the imprint of years.They reflect the social behavior and life style of the past,at the same time,they have the aesthetic value of culture and art.The series of "Years and Imprints" reproduce a series of extant local "old things" which come from the past eras.The selection requires the relics of the past which are not only the common things in social life rather than classical precious objects,but also have the symbolic characteristics of the typical culture and aesthetics of the past.We adopt realistic artistic reproduction techniques in order to deepen people's memory of the impression of the years and the imprints.The series oil paintings of "Years and Imprints" experienced the procedures of creative intention,subject selection,image shaping,layout,color expression,overall planning of painting and others.We carried out a lot of early oil painting training,and tried to solve the problems encountered in observation,understanding and analysis.In the specific creative process,we choose the "old things" which are representative of the characteristics of the eras to process the art and shape the image.Through the expression of oil painting,it reflects the cultural connotation of the era marks,on the other hand,it also reflects the aesthetic enjoyment brought by the series of oil painting creation.The oil painting creation of "Years and Imprints" series is based on the extant "old things" from the past.It integrates the aesthetics of the past eras with the current social fashion,combines the painter's feelings with the atmosphere of the eras consciousness,closely surrounds the current aesthetic consciousness to interpret the artistic atmosphere of the creation.It interprets the feelings of the past towards the "old things" through its own understanding of the painting language,and strive for the conformity ofmodelling reproduction and color expression with the current aesthetic trend of thought.