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From The Evolution Of Qiuci Music Aesthetic Consciousness Of The Tang Dynasty In The East

Posted on:2019-06-13Degree:MasterType:Thesis
Country:ChinaCandidate:C CuiFull Text:PDF
GTID:2415330623966276Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Qiuci music and dance has a splendid history and the unique artistic charm,highly reflects the aesthetic value of western music culture,is the essence of the western regions.The Tang Dynasty,with the prosperity of trade on the Silk Road,the western music as the representative of the Qiuci music and dance the rapid rise in the Central Plains,has brought great impact on the development of the Central Plains music and aesthetic consciousness.Qiuci music and the Central Plains music cultural exchange and integration is the process of the Tang Dynasty aesthetic consciousness evolution.At present in the ontology development background,the academic circles of Qiuci music and dance has a more detailed introduction to the music and culture of the Tang Dynasty also has a more detailed account.But overall,the research angle is single,ignoring the important link between the culture and the aesthetic consciousness of Qiuci music and dance of the two.In this paper,the previous studies were detailed and summarized,the history of music and music literature and art aesthetics and other related disciplines theory,research methods,reviews and more detailed division of Qiuci music and dance eastward process as well as the Tang Dynasty aesthetic consciousness from the perspective of aesthetic culture,and the evolution of this period of the Tang Dynasty aesthetic consciousness has made the further analysis and research.The full text is composed of six parts,which are as follows:The first part: introduction.This part mainly introduces the research status of Qiuci music and dance culture in recent years,but also on the four aspects of Qiuci music ontology research,music culture,the Tang Dynasty,the Tang Dynasty east of Qiuci music and dance music aesthetic ideology of the literature review and analysis,finally expounded this thesis research methods and innovations.The second part is an overview of the background of the East Qiuci music and dance.According to the features of the times of the Tang Dynasty from three aspects of geography,religion and culture of the east of Qiuci music background are described,we can summarized East Qiuci music natural ecological background and cultural background.The third part is introduced the development process of the Tang Dynasty of the Qiuci music and dance,including the Qiuci music and dance in the form and classification of the Tang Dynasty;the three aspects of the use of Qiuci instrument in the Tang Dynasty and the Tang Dynasty in Qiuci musician contributions such as a detailed induction and summary.The fourth part: is the study of the Tang Dynasty music aesthetic characteristics of Qiuci music and dance under the influence,respectively from the exotic melody and rhythm;starting performance form diversity and music function integrated in three dimensions,deeply explore the influence in East Qiuci music and dance in the process of Tang Dynasty music aesthetic characteristics,and compared with the Central Plains music aesthetic culture,which reflects the unique aesthetic orientation of music in Tang dynasty.The fifth part is summary of the impact in Qiuci music and dance,the development stage of the Tang Dynasty music aesthetic consciousness,mainly from the three aspects of aesthetic psychology,aesthetic taste and aesthetic attitude of mutual integration relationship in the process of study of the Tang Dynasty dance Qiuci music and dance,and laid a good foundation for a more comprehensive description of changes in the Tang Dynasty music aesthetic consciousness.The sixth part: the conclusion.
Keywords/Search Tags:Qiuci music and dance, Eastward propagation, Tang Dynasty music, aesthetic consciousness
PDF Full Text Request
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