On The Importance Of "Starting From Self" In Drama Erformance

The purpose of actors' performance creation is to create authentic and flesh-and-blood characters.Stanislavsky's principle of acting from the self is designed to help actors connect with their true feelings in the early stages of character creation.In this paper,the author will take "the message" as an example to define "self".The role of "starting from oneself" in drama performance;Three chapters on the application of "from the self" in the shaping of characters in bai xiaonian illustrate the importance of the theory of "from the self" to drama performance.This article first chapter first reveals the actors in the performing there are two "ego",namely the first self and the self,the ego that actor,a second self on behalf of the role of actors in the process of the characters had a double life,by discussing the actor's double life,the analysis of "self" in "start from self" really means.The second chapter explains the function of the theory of "starting from self" in drama performance through the dialectical unity between actor and role.The third chapter takes the role of bai xiaonian in the wind as an example to analyze the application of "starting from oneself" in drama performance.