Study On The Painting Language Of Xinjiang Landscape Oil Painting Since1990s

Since the reform and opening up,under the influence of inclusive artistic atmosphere and market demand,Chinese landscape oil painting also has a chance for further development.Xinjiang oil painting has also made great progress in this trend,and Xinjiang Landscape oil painting creation has also made outstanding achievements in this period.Xinjiang is located in the hinterland of the whole Eurasian continent,with a vast territory.The special natural geological environment and geomorphic conditions make it form a unique natural landscape,which provides rich natural cultural resources and artistic materials for Xinjiang oil painting creation.The unique natural scenery conditions enable Xinjiang's landscape oil painting works to show different artistic characteristics from the mainland.In this period,the landscape painters did not stick to the description of the objective natural scenery,combined their painting image and ontology language with the natural scenery,and emphasized their own feelings and subjective emotions to a greater extent,reflecting the personality and aesthetic tendency of Xinjiang landscape painters.This paper mainly analyzes and studies the development and painting language of Xinjiang Landscape oil painting since 1990 s.Enriching the theoretical research of Xinjiang Landscape oil painting's artistic language as much as possible is helpful to better grasp the creative law of Xinjiang Landscape oil painting,enrich and perfect the theoretical research of Xinjiang Modern and contemporary art,which is of great significance to the construction of theoretical system.The content of this paper is mainly divided into three parts: the first part mainly discusses the general situation of the development of Chinese landscape oil painting,combs the main historical development stages of landscape oil painting in China and the general situation and characteristics of its painting language,and focuses on the analysis and elaboration of the development of Xinjiang landscape oil painting since the 1990s;the second part is the representative Xinjiang Landscape oil painting in this period Oil painters and Xinjiang Landscape oil paintings that have won awards and been selected for many times in national art exhibitions and major art exhibitions are analyzed in detail to explore their painting language features and spiritual and cultural connotations in terms of modeling,color,space,texture,etc.,and analyze their main common artistic features;the third part discusses the creation achievements and influence of Xinjiang Landscape oil paintings since the 1990 s.