Change Of Audience Position And Interpretation Of Deleuze's Image Theory

Deleuze never stops his exploration of body aesthetics.On the basis of Nietzsche's strong will,deleuze inherits and develops aalto's "organless body" theory,which is constantly applied to practice in various fields.Under the proof of time,the "deorganization" advocated by "organless body" is exerting a subtle influence on the audience.Based on deleuze's organless body aesthetics,this paper makes an in-depth analysis of his thoughts and applies them to film watching for evidence,so as to liberate the fixed experiential form of film watching experience and achieve a new "perception" of films.The paper is divided into three parts: 1.The background and significance of the topic,the research status,the overall thinking and research methods of the paper,and the summary of innovation points;2.The second part expounds the relationship between the film as a medium communication and the audience as a passively accepted object.The audience is in a passively accepted position in metz's psychoanalysis.The third part is about the awakening of the body and deleuze's "organless body".In combination with deleuze's two film works "motion-image" and "time-image",it explores the difference between the "perception" generated by the audience's watching movies and the "structural" subject.The fourth part takes the specific film as an example to analyze the changes of the audience's viewing practice brought by "organless body".The conclusion part puts forward deleuze's pioneering theories in the fields of literature,philosophy and art.