The Body Without Organs-Research On The Body Aesthetics Of Deleuze

Body Without Organs is the specific explanation of Deleuze's body aesthetics,which is seen in many important works.When it comes to Nietzsche,the body becomes the clue of tracing and updating philosophy tradition,and Deleuze proposes a new idea based on Nietzsche's theory of Will to Power,that is,the body has no organs,which is an desire-machine of anti-Oedipus,and body without organs is a series of comprehensive concept of rhizome,desire and intensity.In this sense,Deleuze rediscovers body.This thesis is divided into four chapters.The first chapter discusses new ideas of the body aesthetics that Deleuze provided.Firstly,this chapter criticizes the phenomenon that the former aesthetics is indifferent to the body,and stresses that Nietzsche's theory of Will to Power makes a difference to Deleuze's body aesthetics.Secondly,this thesis will explain the position of body without organs in Deleuze's body aesthetics,and explain the reason why body without organs is just the body aesthetics itself.Finally,because Deleuze is the philosopher who is skilled in creating concepts,the first chapter will also need to explain some frequently-used terms involved in the thesis.The second chapter is the core chapters of this thesis,explains the formation process of body without organs,which is mainly discusses from three aspects:Firstly,rhizome is the plane of the body.Rhizome represents the opposite of traditional thinking,means the direction of deconstruction and freedom.Secondly,body without organs means desire.The body that Deleuze put forward is the body anti Oedipus.Deleuze and Gattari propose that body without organs is desire,and desire is a positive production,body will become mature in this desire machine.What is more.Deleuze claims the corresponding schizcoanalysis,which is the specific territorialized way of the body,is the practice of anting encoding.Thirdly,body without organs is the intensity of the body.On the basis of the two chapters,body without organs is intensive,provides a wide range of escaping route for rhizome and deterritorialization of intensity,we may say,this process is the final part of body.The third chapter describes body's performance in art through two aspects,one is Bacon's painting and the other is minority literature,to represent the desire of escaping body and unconstrained literature,and point out the possibility of the practice of body.This chapter mainly puts the concept of body on the concrete practice of artistic creation through the criticism of painting and literature.The movement of the body without organs of painting and literature answers why painting and literature is equivalent to the body,which falls in the dimension of body aesthetics.The fourth chapter analyzes body from three aspects,including the aim of the body without organs,the art of the body without organ and active body.Finally,in the conclusion part,the thesis summarizes the contribution of Deleuze's body aesthetics,and points out that the vanguard of Deleuze's theory,which needs to be understand by time.Deleuze emphasizes the innovative and radical body.He makes a contribution to the twentieth Century from the perspective of body aesthetics,in the meantime,makes a model of perfecting body in artistic creation.body without organs would become rhizome,desire and a variety of events,disintegrating inopportune or inappropriate identity.Meanwhile,body is explained in art,and painting and literature get new aesthetic interpretation.This thesis is based on body without organs of Deleuze,attempt to show a complete composition of form and aesthetic value of body without organs.This paper is based on the Deleuze body without organs of body aesthetics,analyzing their thought,attempts to show a of body without organs.