The Generated Idea And Theoretical Connotation Of Late Tang Poetic Style In Song Dynasty

The concept of "Late Tang Poetic Style" has always been complicated and ambiguous.This concept was produced by the Song Dynasty's staging of Tang history and Tang poetry history.By analyzing the origin and development of the concept of "Late Tang Poetic Style",it is found that the concept of "Late Tang Poetic Style" actually has multiple levels and aspects of connotation.First of all,analyze the context of the development of the poetry system."Late Tang Poetic Style" can refer to: 1.The verses of Jia Dao,Yao He,and Xu Hun during the late Tang dynasty and the creation of verses with them as their main teachers include the "Late Tang dynasty" Poems by poets and "four spirits" poets;2.Poems that used Li Shangyin and Du Mu's quatrains in the late Tang dynasty,especially the seven quatrains,as their main teaching objects,which mainly refers to Wang Anshi's seven quatrains;The creative method is to create the poems of Liu Ang Qi Jue.Secondly,from the perspective of different poem styles,"Late Tang Poetic Style" can refer to the five rules,Qi Lu and Qi Jue,and they have similarities,differences and mutual influences in terms of creative methods and poetic style.Finally,from the characteristics of poetry creation,the "Late Tang Poetic Style" can refer to poetry that uses bitter chanting as its core and poetry that uses bitter chanting as its creative method.The pursuit of ingenuity is the core of the poetry of "Late Tang Poetic Style",and it is the positive value silently affirmed and pursued by the poets of all ages.On the "Late Tang Poetic Style" is a negative evaluation.The acceptance of the "Late Tang Poetic Style" after Song focused on criticism of its negative effects.