Research On Eco-feminism In Hayao Miyazaki 's Animated Films

In this paper,Hayao Miyazaki's anime is taken as the starting point,and the work is placed in the visual threshold of the Eco-feminism,starting with the author's life experience,the differences in the portrayal of female images,and the changes in the relationship between the sexes,this paper analyzes the grand narrative of the Eco-feminism mode constructed by Hayao Miyazaki in his works,and sums up the structure,cause and significance of this narrative as well as its reference to the creation of animation in China.The first part is to sort out the rise and claim of the Eco-feminism school,and through reviewing Hayao Miyazaki's life,to probe into the background and historical trend of thought that influenced Hayao Miyazaki's creative thought,it concludes that the left wing Revolutionary Narrative and natural disasters caused by ecological deterioration in Japan after the Second World War had a significant impact on the formation of Hayao Miyazaki's Eco-feminism.The second part and third part is an in-depth analysis of the text,interpretation of Hayao Miyazaki's works in the construction of the theme and image,from the details of Hayao Miyazaki's construction of the grand narrative of the Eco-feminism,the status of women and nature and the relationship between men and women,man and nature.The third part compares the representative works of Chinese and Japanese anime in the Post Hayao Miyazaki era with Hayao Miyazaki's works,and discusses the parody and deliberate rejection of Hayao Miyazaki's ecofeminism expression by the anime creators after Hayao Miyazaki,their success or failure testifies to the theoretical,practical and referential value of Hayao Miyazaki's works within the framework of feminist and ecological theories.The conclusion points out that as a pessimist,Hayao Miyazaki's grand narrative of Eco-feminism reflects the compromise and contradiction between the ideal and the cruel reality.