Study On The Source Form And Rheology Of Zhe Zhi Dance

Zhezhi dance,with its unique aesthetic charm,countless extolling poems of praise,and its popularity for hundreds of years,has become one of the three famous western dances in the Tang Dynasty,and occupies a pivotal position in the in-depth study of the Tang Dynasty 's music and dance art and its communication.First of all,the theory of the origin of the word for Zhezhi dance,in the controversial academic discussions can be roughly summed up in Tashkent view,Nanzhao view,Tuoba view,and the author thinks that,Zhizhi of the Han Dynasty,Zheshe of the Northern Wei Dynasty,Zhejie of the Tang Dynasty,and have communion with Zhejie army's colophon,refer to the history of different forms of Tashkent,namely Zhezhi dance originated in Tashkent say more reliable,and the Tashkent is theSogdian people,a member of the Oghuz Turks,they not only is a particularly good live musical ethnic song and dance entertainment,but also on the silk road is the most active business people,their time,Zhezhi dance was introduced into the central China from the western regions along the silk road with the empress Ashina of the Northern Zhou Dynasty.Then,was introduced into the central plains Zhezhi dance through its performance form the rage incarnate,to further explore its value in the form of performance characteristics,The author mainly takes the cultural relics literature as the research idea and starting point to deeply explore the specific structure and components of the stylized action language in the aspects of dancing posture,accompaniment of musical instruments,costume makeup,stage props and so on,it also explores the performers who create the concrete form of Zhezhi dance more intuitively.Finally,from the Northern Zhou dynasty to the Song Dynasty,Zhezhi dance has been clearly recorded in historical materials.From the exploration of the development of Zhezhi dance after it was introduced into the central plains,it can be clearly seen that it has the development characteristics of two dynasties and three stages.Especially in the Tang and Song Dynasty of dance poems,occupy a large proportion in the range of Zhezhi dancing poetry.To delve into Zhezhi dance since the Tang Dynasty to Song Dynasty,the development of rheological provides abundant historical information,and Zhezhi dance unique research value and meaning,namely:the solo dance forms of health dance,the double dance forms of soft dance,the mass dance forms of team dance.Thus,this paper makes a detailed study of the history three aspects of Zhezhi dance,namely,source,form and flow.