Research On Domestic Cinema Animation Based On The Cognitive Difference Of Audiences

With the increasingly rich atmosphere of domestic animation in recent years,its proportion of mass aesthetics,entertainment and consumption is increasing,so the relationship between the audience and the work has become an important academic focus.The cinema animation in the animation industry map has become a category that needs to be focused and changed in the development process of domestic animation because of its characteristics of being paid attention to by all-age audiences.Because the audience level of cinema animation is more diversified,at the same time,the academic research on domestic cinema animation and hot spots,coupled with the long-term influence of Japanese and American animation,the popular culture trend led by network culture,the inheritance of national culture,mining and re-engineering and other cultural environment and creative thinking interwoven,making the construction of domestic animation independence become more difficult.By observing the development status of domestic cinema animation in the last ten years,we also refer to the academic research point of view and hot spot of domestic cinema animation.From the perspective of audience cognitive difference,the domestic cinema animation is studied and the problems in the creation of narrative structure,character characteristics and value transfer are observed.To explore the core of the problem from the perspective of comparative research,especially the strategy and path of preserving,inheriting and carrying forward national culture under the present environment of cultural integration.Thus complementing the emerging animation academic research system,it provides support for the formation of a benign mechanism between contemporary domestic cinema animation and the audience.