Shaman Divine Song And Literature

Shaman Divine Song is one of the main manifestations of Samanism,and it is also the most direct and true text material of Samanism that can be used to make more people aware and understand.There is no doubt that,by its main nature,it is first and foremost religious.However,its content,form,artistic technique,thought and feeling have shown different degrees of literary nature,Shaman Divine Song is the source of Mongolian lyric poetry,it has a profound impact on mongolian ancient literature,this kind of influence is direct,but also long.In the process of reading contemporary works,you can even see the figure of Samanism and Saman Shaman Divine Song,some of which are directly quoted in the works,some are reinterpreting the connotation of Samanism and giving new vitality to this ancient religion.In either case,it shows that the Samantha church is returning to people's view in a poetic way.In the analysis of Shaman Divine Song,the main object of analysis is the Mongolian scholar Nima and the poet Xi Muyong compiled the Shaman Divine Song,this collection of poetry was published in 2015,which contains both the early Saman Song,but also the recent decades of editors in the Saman ceremony scene heard and recorded the Saman Song,in the time span is relatively large,the content is also rich.Moreover,as an outstanding contemporary poet,Xi Muyong not only actively participated in the compilation of similar poetry collections,but also wrote many related poems and essays,which not only changed the face of her own work,but also contributed to the protection and development of Mongolian Saman culture.In addition,in the new period,in addition to the poet Xi Muyong,there are a number of writers in the works appeared in varying degrees of "mystery" atmosphere,some writers like Chi Zijian,Guo Xuebo,they have more than once in the interview made it clear that they are affected by the Samantha,and think that the Samantha still exist in today's social life.There are also works of writers,such as the work of the snow,obviously also has the characteristics of "witches",and all kinds of content and thecore connotation of samanism is very similar,although the writer's North-South span,living environment,customs and habits are very different,but from the perspective of folk religion to think,according to the scholars in recent years,according to the results of the study,that the southern "witch" and always think that only exist in the north of the "Saman" in the same kind of religious category,if it is considered to be too simple.In addition,in many ethnic writers,there is often this tendency.Based on the above phenomenon,this paper takes Xi Muyu's compilation of Shaman Divine Song as a clue,tries to find out the relationship between Saman culture and literature,especially contemporary literature,and makes corresponding analysis and collation of the connection and difference between works.In the first chapter,the main overview of the Shaman Divine Song occurred and spread.The second chapter mainly talks about the function and aesthetic of different types of Samantha Song.On this basis,the third chapter mainly writes about the influence of Saman culture on contemporary literature.