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The Screenplay Exposition Of <Makeup Face>

Posted on:2021-01-05Degree:MasterType:Thesis
Country:ChinaCandidate:S T WangFull Text:PDF
GTID:2415330626962384Subject:Drama
Abstract/Summary:PDF Full Text Request
In recent years,the troupe is troubled by the lack of excellent and high-quality original scripts and screenwriters are also troubled by how to create original scripts that can spread far-reaching and have profound influence and connotation.As a screenwriter,I feel sad and powerless about the scarcity of original works in the modern drama market.So based on life,I wrote the original drama "makeup face".By analyzing the creative idea of the original drama play "makeup face",from the characterization of the main characters,reflecting the problems and current situation of the society,made up a play full of Brecht,and hope to excavate the ugliness of human nature,take "everyone has a mask" as the appearance,Satirizing the inconsistencies and selfishness of human nature.This paper not only thinks about Brecht's alienation theory,analyzes the application and function of Brecht's theory in the original play "makeup".It is a combination of symbolism and reality to show the actors' body movements in a symbolic way,and at the same time,it also requires the actors to tap the inner part of the characters and liberate the actors' nature,and explores and discusses the special writing technique-"play in play" structure,so as to better prosper the contemporary drama market,At the same time,the importance of lighting and sound effect in the stage is also discussed.On the whole,this paper combines Brecht's symbolism and Stanislavsky's realism,so that the original irrelevant and even contradictory views are integrated,and creates the play "makeup",and the integration of these two techniques,no doubt,makes the play get a deeper sublimation.
Keywords/Search Tags:Brecht, Stanislavsky, Play in play, Alienation
PDF Full Text Request
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