The Research Of Piano Accompaniment In National Vocal——Take Hu Tingjiang's Accompaniment Works As An Example

With the rapid development of music industry in recent years,more and more vocal music works have emerged.Behind the unprecedented prosperity of excellent vocal music works in China,as its "green leaf"-piano accompaniment art,more and more music lovers are familiar with it.Piano accompaniment art plays an extremely important role in the whole vocal music teaching system of our country.An excellent piano accompanist can make the whole vocal music work present to a higher level,but the first thing for an excellent performer is to have an excellent piano accompaniment edition,which is often referred to as piano accompaniment spectrum.Among the creation of piano accompaniment in many vocal music works,Hu Tingjiang's piano accompaniment has its own unique artistic characteristics,which has significantly improved the artistry of vocal music works from the perspective of creation and audio-visual,and meets the requirements of music aesthetics in China.Based on his rich experience in piano accompaniment,combined with vocal music singing,harmony writing,musical form analysis and other related art disciplines,this paper,from the perspective of piano accompaniment in national vocal music,takes Hu Tingjiang's piano accompaniment works as the analysis blueprint,comprehensively combs the characteristics and performance practice of Hu Tingjiang's piano accompaniment works,hoping to help the general steel group When playing Hu Tingjiang's accompaniment works of art,piano accompaniment learners are more in line with the aesthetic requirements of the works,and more accurately understand and grasp the artistry of piano accompaniment parts.The article is divided into four parts.The first part: the piano accompaniment art of Hu Tingjiang and his national vocal music works.This chapter mainly discusses Hu Tingjiang's artistic resume,creative achievements,as well as the development process and form of piano accompaniment in national vocal music.The second part: the artistic writing characteristics of Hu Tingjiang's piano accompaniment.This chapter mainly talks about Hu Tingjiang's common creative techniques and writing features in the preparation of piano accompaniment,which are discussed from four angles: "the structural layout of Symphony design","the blending of harmony color between China and the west","the application of diversified texture" and "the penetration of improvisational accompaniment thinking".The third part: the case study of Hu Tingjiang's piano accompaniment works.This chapter is based on Hu Tingjiang's accompaniment of vocal music works as the starting point,according to the genre of works to discuss.Based on the four categories of "local folk songs","folk song adaptations","art songs" and "contemporary creative works",this paper discusses the rich pianoaccompaniment art of Hu Tingjiang.The fourth part: Hu Tingjiang arranges the piano accompaniment work performance practice.This chapter is from the perspective of piano accompanist performance,from the four aspects of "accompaniment technology application","accompaniment art style","art guidance teaching" and "accompaniment cooperation practice",it discusses the precautions when playing Hu Tingjiang's piano accompaniment art works,and combines with the author's own piano accompaniment experience.