Pastoral Style National Feelings

Antonín Leopold Dvo?ák(1841-1904),as the main representative of the Czech national music school and one of the important composers in the second half of the nineteenth century,has won a unique title And honors,such as the "Czech Three Heroes" bestowed by future generations on Anacek and Smetana,the highest honors given by the Czech people as composers,and masters of romanticism.All the respect he expressed reflected his great contribution and important position in music.Dvorak's creation of various genres and works is mainly based on bohemian folk music,and his patriotic feelings and national ideas are reflected in his various works.While Dvorak inherited the path of national music creation,on the basis of this,Dvorak has broadened the path of national music creation through his own efforts and persistence,and brought Czech national music abroad,known by the world as Czech the development of music has made outstanding contributions and earned a worldwide reputation.Dvorak's "Eighth Symphony" reflects his nationalism and patriotism in terms of content.It is the embodiment of the calm beauty of his experience in the countryside and his pride in his hometown.This article mainly starts from the two aspects of music ontology and cultural connotation,and uses the method of music review to analyze and analyze the Eighth Symphony,and tries to further analyze the creative style of Dvorak symphony and the eighth symphony.The cultural significance of the transmission,through the study of "Eighth Symphony",to understand the composer's use of national elements and outstanding contributions in the symphony creation.This article first takes the introduction as the introduction point,and introduces the research background,purpose and significance of the topic selection,domestic and foreign literature review and research focus,difficulties and innovations.The second part mainly studies the connection between Dvorak's creative experience and his work "Symphony No.8." The third and fourth parts are the main part of this article.The third part mainly uses the method of text interpretation in music reviews to comprehensively analyze the work,and interprets the music ontology of the four movements respectively to further understand the composer's creative style and the cultural connotation of the work.The fourth part is to use the method of music review to make an aesthetic inquiry into the music ontology in the third part,to understand the cultural allegations,spiritualconnotations and artistic values conveyed in his works.The last part of the article is the conclusion part,which mainly summarizes the results of the paper.