| And Then There Were None is a detective islet murder fiction.The specified circumstances,an enormous amount of dialogue,the narrative structure of successive deaths,and the suspense and meandering plot collectively pose huge challenges to the actors.Through studying and understanding theatrical performance,it is noted that performers can build an "inner " by combining the real life and personal thoughts,which helps shape a close,real,and vivid character.In addition,forming an "inner vision" is conducive to conveying the theme of the play as well as complicated emotions,which achieves ideal artistic effects and performances.The "inner vision" plays a crucial role in this regard,which is also the most key capability of a performer in artistic creation.This paper aims to explore how the "inner vision" is utilized in theatrical performances to shape characters,how to define the scope of the "inner vision" based on literary works and rehearsals.It also studies the definition and basic features of the "inner vision",thus deepening our understanding of the significance of the "inner vision" in shaping vivid characters.This article combines the author’s practical rehearsal experience in the drama And Then There Were None with theories to analyze how the author harnesses the "inner vision" to perform,sharing its magic power in artistic creation. |