Chinese lacquer painting in a pure art form only a few decades of history,is a young painting species,from the development of the traditional lacquer painting technology evolved.The early Chinese lacquer painting mainly exists on the decoration of lacquer ware,and its value lies in the decoration of lacquer ware,the beautification of lacquer ware,and the increase of the ornamental and cultural expression of lacquer ware.The development of China's independent lacquer painting in Fujian province is relatively early,but the development of Chengdu lacquer painting is still in its infancy.Based on the general situation of the development of lacquer painting,this paper USES the methods of literature research,case analysis and practice summary to explore the development of lacquer painting in Chengdu,and analyzes the influence of Japanese lacquer painting,Vietnamese lacquer painting,Fujian lacquer painting and Sichuan American lacquer art teaching on the creation and development of lacquer painting in Chengdu.At the same time,through the exploration of local culture in Chengdu,combined with the analysis of eastern and western art and the aesthetic concept of contemporary art,the development of contemporary Chengdu lacquer painting in a large artistic environment is clarified.Chengdu native culture theme of lacquer painting should be based on the mining on the basis of absorbs the nutrition of Vietnam,Fujian lacquer painting creation,other forms of art aesthetic idea and the artistic creation,purification of Chengdu lacquer painting creation indigenous art language symbols,creating excellent lacquer painting works,with the characteristic of contemporary culture in Chengdu for the creative development of Chengdu lacquer painting artist provide a supplement to the theory. |