Research On The Artistic Style Of Jiang Qianli Luotian Lacquerware

Lacquer art is one of the representatives of Chinese traditional craft,with its unique artistic charm and profound historical and cultural accumulation.According to the records,China is the first country in the world to know the lacquer tree and use its juice to paint ornaments.It has a history of lacquer painting for nearly ten thousand years in China,and lacquer ware has existed in the Neolithic Age.To the Ming and Qing dynasties,lacquer craft and lacquer art show a hundred flowers blooming prosperity.At the end of Ming Dynasty and early Qing Dynasty,JiangQianli and his mother-of-ladle lacquer ware were famous and far-reaching,leaving a beautiful stroke in the history of Chinese lacquer ware,which was called "JiangQianli style"because of its unique artistic style.As a landmark in the history of lacquer The formation of the artistic style of his works is caused by a variety of reasons.First of all,in the aspect of creative thought and subject matter,he pays attention to the promotion of artistic forms of works and integrates literary works into the creation of lacquer ware,which has a great influence on the development of lacquer ware of mother-of-ladle in later generations.Secondly,in terms of manufacturing technology,on the basis of inheriting the tradition and innovating,he pioneered the fine work of soft mother-of-pearl in the Ming Dynasty.Even today,his mother-of-pearl technique is still an example to learn.Through systematic and in-depth research on JiangQianli's life,creative position,manufacturing technology and art style of "JiangQianli style",this paper collects and combs as far as possible the relevant information about JiangQianli.To reflect the changes in the background of the times at that time on his life and thought of the impact;At the same time,through the in-depth analysis of "JiangQianli style",the artistic style characteristics of his works are discussed.At the same time,the production technology of JiangQianli is also analyzed,which is not only because JiangQianli pioneered the fine work of soft and mother-of-pearl in Ming Dynasty,but also laid an important foundation for the formation of its artistic style.Through these efforts,it is possible to be true and accurate.It reflects the artistic life and artistic spirit of a lacquer,highlights its important contribution and position to the development of lacquer-of-mother-of-ladle,so as to arouse people's attention to Chinese traditional arts and crafts.First of all,this paper gives a preliminary introduction to JiangQianli from the aspects of time background,life history and creative blueprint,and gives a brief description of Jiang Qianli's surviving works,which lays the groundwork for the discussion on the artistic style of Jiang Qianli's lacquer ware as well as the artistic style of JiangQianli's lacquer ware.It can be found that JiangQianli takes "West Chamber" and "Peony Pavilion" as the creative blueprint.At the same time,he pioneered the inlay of soft screw-and-mother in the Ming Dynasty,and his lacquer ware was called "JiangQianli style" at home and abroad.Then,the paper explores the causes and characteristics of the artistic style of lacquer-lacquer ware of JiangQianli,which mainly includes the social trend of thought,the production technology,and the creative thought.Feature analysis head In addition,it also plays an important role in carrying forward the intangible cultural heritage.JiangQianli mother-of-ladle lacquer not only affected the development of lacquer ware in the late Ming Dynasty and Qing Dynasty,but also had a great influence on the lacquer art of Yangzhou.At the same time,it also had an enlightening effect on the development of moderm lacquer ware.