House·Stage

Bergman' s indoor drama breaks through the traditional narrative mode of architectural space,breaks away from the narrative type of the novel based on the time axis,and combines event occurrence,spatial movement and characters' spiritual thinking to form the final creative thinking.Bergman used montage recording technique,combined with a variety of metaphorical shots,to use point-to-surface narrative form,from event to thought,from concept to space generation.The thesis consists of four parts.The first part: the origin of space narration,and space in philosophy,literature,thingsBased on the studies and critiques of different thinkers and scholars,the paper concludes the importance of space narration to space.The second part: the spatial narrative of Bergman' s films is interpreted and considered from the perspectives of the spatial narrative types,timeliness narrative media,images and spatial types of Ernst Ingmar Bergman' s chamber plays.Part three: to summarize Bergman' s spatial narrative techniques and study the common spatial narrative forms in film,painting and architecture.Part iv: based on the study of Bergman' s spatial narration,the main narrative structure and spatial types are extracted to carry out spatial experimental exploration,which is carried out from the three parts of "home","stage" and "theater".The spatial narrative type of Bergman' s chamber drama is not only the most common narrative form,but also the most common one.