The Influence Of The Evolution Of The Visual Language Of Photographs On Painting

The content of this paper is about the expression of emotion and spirit of geometric ion.It introduces the generation of human abstract thinking,and the concept and the origin of geometric abstractart,explaining that the abstract art needs to exclude the similarity of concrete objects and gradually reduce the details,in order to transfer the sensation and perception of mental impulses to the basic Abstract form,such asthe color or shape.Therefore,the abstract worksare defined as those that do not exist in reality,which onlyexist in the sensory experience.At the end of nineteenth Century,with the invention of photography and popularity,many artists felt the need to create a new form of art,which can reflect the human spirit in artistic activities without the description of the objective world,using the visual language of the block shape,surface,color and line to create withcombination of images,which is different from the real world visual reference and has a certain degree of independence.In this paper,it takes the most representativearchitectural context as a example to explain the importance of spirituality in creative activities.And this paper takes the analysis of the several representative artists and their works to find the source of the spirit behind the works.Finally,combined with the author's own creative practice,this paper discusses theprocess of thinking and operationbehind of the conception,production,and presentation of the works,hoping that the works can convey a complex idea in a more concise visual form.