Brush And Ink Should Be With The Times—a Comparative Study Of Shi Tao's Painting Style Before And After His Northern Tour

Shi Tao,as an important painter in the late Ming and early Qing Dynasties,had an important influence on the future generations of his painting achievements and theoretical writings.He is a descendant of the royal family,after entering the Qing Dynasty made a monk,a monk of his early life world,visited many well-known mountains and rivers,with great achievements in landscape painting.Shi Tao’s calligraphy and painting art on the later Yangzhou school,as well as modem artists Wu Changshuo,Huang Binhong,Qi Baishi,Pan Tianshou,Zhang Daqian,Fu Baoshi and others have a significant impact,especially since the May 4th Movement,and was overturned in the orthodox position of China painting,stone Tao changeable style also is more and more popular."North Tour" is a unique phenomenon in the history of Chinese painting."North Tour" can be regarded as a turning point in the formation of Shi Tao’s painting style.Because of his ambition,Shi Tao wants to move to the northern area and travel and engage in painting practice.Over the years,the academic circles to make a thorough study of Shi Tao and his theory of painting,but Shi Tao "North travel" which is a special historical stage,and this stage style of painting a series of changes are not systematic research.At the same time,I also found that Shi Tao’s painting style is closely related to his traveling environment.So I take the "North Tour" as the breakthrough point to make a comparative study of the painting styles before and after the North tour.Shi Tao produced countless works throughout his life,and his work style was also very numerous.From the early childhood,the beginning of the appearance,the teacher law ancient people;to the early delicate and graceful;then to the mature period of ink and ink,the style of rough painting;later Beijing period more convergent style;to the end of the Yangzhou period to reach the full,ink and ink,with the old pen,high ancient key,perfect appearance.There are different features in each period.At the same time,its practical significance is to draw the essence from his art course and to help me with his own painting practice and theoretical thinking.