Research On The Body Language Of Tao's Body Theater

This thesis takes the Tao-body theater as the research object and conducts an overall study of the body language of the Tao-body theater from four aspects: body conception,physical practice,body aesthetics and physical value in the dance.The first chapter analyzes the body concept of the Tao-style body theater from three aspects: the break of the traditional body concept,the change of the concept of technique,and the pursuit of body language.Through the analysis of the body's subjectivity in modern dance,the concept of the body in the Taoist body theater was established.The second chapter is about ceramic body theatre practice discussion under the tow practical experience to the body make specific case analysis: from the "dehumanization" body limit to "repeatability" trajectory,and to the "root" of the micro movement.In the third chapter,byworks of "6","7" and "8",they adopt the analysis method from the perspective of minimalist aesthetics and abstract aesthetics to discuss the aesthetics of the Taoist body theater.The fourth chapter,ceramic body theatrical value,reads three aspects of the body,respectively from the breakthrough of the body and contradiction,question and digestion of the body,as well as the deconstruction and reconstruction of the body.