A Study Of The Combination Of Thick And Thin Pen In Flower-and-bird Painting In Yuan Dynasty

In this paper,the composition of thick and fine brushwork in flower and bird paintings of the Yuan dynasty is analyzed by means of "peach bamboo brocade","lotus mandarin duck" and "late xiang gao jie tu".Painting,landscape hook experiment,no bone,ink such as shading of relatively thick pen,and traditional Chinese realistic painting performance modelling fine with my relative,exquisite pen pen combination,formed the deck in song dynasty fine hook dyed with rev rampant in the Ming and qing dynasties under the fine pen,of the technique characteristics of thick pen,with "ink flower ink birds" almost all ink,present a crude and refined,with thick ink performance in the fine features.It is very helpful for me to pay attention to the characteristics of the ink painting.In my painting study,I will pay more attention to the various forms of thick and fine brushwork;The contrast of coarse and fine brushwork is used to create the illusion of reality;With thick,fine brushwork unified to form the picture lasting appeal.It was more loose than the song dynasty,less wild than the Ming and qing dynasties,and the flowers and birds paintings of the yuan dynasty were not biased and were in the middle.The author thinks that this kind of intermediate state is fluid change,and the combination of thick and fine pen should be like taiji.