Wen Kezheng's Vocal Music Art And Teaching Thought Research

Wen Kezheng is a famous Chinese bass singer,vocal educator,lifelong commitment to vocal singing and teaching undertakings,whether in the deduction of vocal music works,the cultivation of singing talent,or the study of academic theory,he has made great achievements.He is known as "contemporary Shariyabin" "Bass King" "The world's first-class master artists",who is also the first in the literary circles won the first China "good faith life" Ten outstanding Characters Award musicians.Wen Kezheng since 1936 in the Peking Opera"Temple of Dharma" one person drag three roles,1950 teaching in Nanjing Jinling Women's Arts and Sciences College Music department,to the year of old still active in the stage and break the early 19th century German bass singer Ludwig Fercher 72-year-old World singing record,more than half a century,he has been conscientious,Diligently,has been busy in the teaching and the stage practice between,uses the life to chant oneself to the singing cause the persistent and the love.Based on the previous research,this paper by using the method of character interview,comparative analysis and literature review,firstly,starting from the journey of Wen Kezheng vocal music,this paper explores the arduous course behind the Wen Kezheng singing art and the excellent spiritual quality he presents under the background of the great times.Secondly,it emphasizes on Wen Kezheng vocal music singing and stage performance,the teaching idea and method of vocal music is analyzed,to explore the ideological connotation of Wen Kezheng singing and teaching,and to find the inner connection between them;Finally,through the contribution and revelation of Wen Kezheng vocal music art and teaching thought,he sums up and interprets the.old age in singing teaching and stage practice.For their future better engaged in vocal music performance and teaching work,as well as other students to learn singing to provide help or reference.