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Reshaping Animation With The Dynamic Thinking Of Oil Painting-from The Perspective Of Van Gogh, The Study Of The Application Value Of The Dynamic Painting Language Of Oil Painting In European Animation Films

Posted on:2019-05-10Degree:MasterType:Thesis
Country:ChinaCandidate:F XiaFull Text:PDF
GTID:2435330545474527Subject:Design
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Europe is the birthplace of animation.The active inheritance and application of traditional cultural resources by European animators have opened up the unique development space of European animated films,in particular,the artistic style and cultural depth of European characteristics make European animated films have an important competitive edge in the world.The application of oil painting language in traditional painting to animation will bring more possibilities to the visual experience of animated films,and also enrich the spiritual connotation and artistic characteristics of animated films.The spirit of animation and aesthetic style have been extended in the painting,which is the unique art of European-style animation.As a great European artist,the Dutch artist Vincent Van Gogh has a great influence on posterirt with his aesthetic thoughts.Van Gogh's resplendent artistic achievements and influence on animation are not only limited to breaking the traditional concept of basic modeling,composition settings,color performance,what is more important is that Van Gogh's unique dynamic painting language has an important impact on animation film art style,ideological dimension,and artistic pursuit.In different categories of art,the particularity of the times of the development of oil painting and development pattern can create new vitality and new direction beyond the experience of animation film.This paper will make a study on the application value of Van Gogh's dynamic painting language to European animated films,try to study the dynamic thinking in Van Gogh's oil painting language and explore the development of animation film art expression and the diversity of aesthetic taste.The full text is divided into five chapters.Chapter 1 mainly explores the European animation films' aesthetic basis,including the European animation films' unique aesthetic style,strong cultural background and the pursuit of artistry;In Chapter 2 of this paper,the development history of animation film and oil painting is expounded,and the development process of two different kinds of art is compared.In,Chapter 3,the author mainly studies the dynamic painting language in Van Gogh's oil painting art and discusses the presentation of dynamic thinking in Van Gogh's oil painting language from three aspects: stroke,color,light and shadow.Chapter 4 is an analysis of the influence of dynamic thinking in oil painting language on the artistic expression and aesthetic taste of European animated film.Chapter 5 is,a combination of my graduation animation short film creation to discuss the enlightenment of dynamic painting language for animation creation.
Keywords/Search Tags:European animation, Van Gogh oil painting, painting language, dynamic thinking
PDF Full Text Request
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