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Research On The Figure Form Of Buddhist Paintings In Wei And Jin Dynasties

Posted on:2019-04-09Degree:MasterType:Thesis
Country:ChinaCandidate:C Y FuFull Text:PDF
GTID:2435330545479780Subject:Fine Arts
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The art of Buddhist painting in the Wei and Jin Dynasties is an important period in the development of Chinese Buddhist art.In the history of China,the Wei and Jin Dynasties were a period of confusion and a period of integration of a nation.At the same time,the development of Buddhist painting in the Wei and Jin Dynasties,with the popularity of Buddhism,was more vivid and vivid.The artists not only endowed the Buddha and painting in the religion of the gods and Buddhas,but also achieved the aesthetic effect.It has created a cultural color that conforms to the aesthetic psychology of the Chinese people.After the introduction of the Buddhist painting to China,it covers the aesthetic features of the Chinese traditional culture.In the creation of Buddha's portrait,the expression of the statue of the Buddha,the shape of the dress and the momentum of the Buddha coincide with the image of the God in our mind,which affirms the creativity of the painter's main spirit.The study of the form of the Buddhist figure painting is mainly based on the monastery murals,grottoes and scroll paintings in the Wei and Jin Dynasties.It makes a comprehensive analysis of the features of the figure,hand print,footprints,costume,posture and posture of the figures of the Buddha,and deeply analyzes the form relationship of the Buddhist paintings in the Wei and Jin Dynasties,as well as the shape of the figure painting.The significance of "writing the spirit by form" is of great importance to the creation of figure paintings.This article is divided into four chapters.The first chapter is the introduction part of this paper.It introduces the core concept,the purpose and significance of the study,the research method and so on.It can have a preliminary understanding of this paper.The second chapter discusses the concept of Buddhist art and the figure of the Wei and Jin Buddhism painting,including the hair of the Wei and Jin Buddhism painting.The development and formation of the characters of Buddhist painting characters can be found in the development of the Buddhist painting in the Wei and Jin Dynasties and the characteristics of the times.The third chapter expounds the specific manifestations of the figure forms of the Buddhist paintings in the Wei and Jin Dynasties,and respectively expounds the contribution of the Buddhist painters in the Wei and Jin Dynasties and the depiction of the Buddhist mural painting,and the Buddhist painting's hand and posture on the whole.This chapter is the core of the study of this paper.The fourth chapter describes the relationship between the "writing" and "God" in the Buddhist painting,and the influence of the figure shape of the Wei Jin painting on the creation of contemporary figure painting.From the introduction of Buddhist painting to the present state of Chinese style Buddhist art,it has experienced numerous artists' exploration and innovation.In this study,it not only brings influence and significance for today's Buddhist painting,but also hopes to benefit the future study of Buddhist painting.
Keywords/Search Tags:Wei and Jin Dynasties, Buddhist figure painting, form, writing God by form
PDF Full Text Request
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