Research On Ni Zan's Landscape Painting From The Perspective Of Artistic Semiotics

Ni Zan is a key figure in the history of landscape painting aesthetics.He is also known as Huang Gongwang,Wu Zhen and Wang Meng as the four masters of landscape painting in Yuan Dynasty.In the history of painting aesthetics,the theory of Yi painting method has a profound influence on the history of painting aesthetics.The more classical works of Ni Zan include Yu mountain and Ravine Tu,Six Gentleman tu,Rong Zi Zhai Tu,YouJian HanSong Tu c,WuZhu XiuShi Tu,Autumn Pavilion Tree Tu,Qi Shu Autumn Wind Tu and so on,which are now hidden in the Metropolitan Museum of the United States,the Museum of the lImperial Palace,the the Imperial Palace Museum,the Museum of the the Imperial Palace,and the Museum of the museum.Based on the analysis of its classic works,this paper explores its artistic quality with semiotics theory,and strives to open up a new perspective for the research of Ni Zan's landscape painting.The introduction introduces the research status of Ni Zan and its landscape paintings,respectively,for the study of his personal overall artistic achievement and the study of its landscape art works,as well as the preliminary exploration of the landscape art under the view of semiotics.As a result,the study of the classical works of landscape painting by the principle of Semiotics in modern academic circles is still a relatively preliminary stage,but at the same time,it shows that using the principle of semiotics to research and explore the landscape painting of Ni Zan is feasible and has the value and potential.This paper is divided into four chapters.The first chapter introduces the development of landscape painting and its unique charm as a classic painting type.Secondly,it introduces the influence of Ni Zan's life experience and personal character on his artistic creation,and the influence of his personality on his painting character.In the end,the principle of semiotics is introduced to the study of Ni Zan's landscape painting,to explore its interconnecting points and breakthroughs,and to make a thorough study of the landscape paintings of Ni Zan from three dimensions of illusion theory,life form theory and the construction principle of artistic symbols in order to have a profound grasp of the aesthetic appreciation of the artistic symbols of Ni Zan's landscape painting.The second chapter is an analysis of the general image symbols in Ni Zan's landscape paintings,and extracts a series of typical images,such as mountain,water,tree,stone,pavilion,and so on.Through the creation of the author's artistic skills,the complex process of the transformation from the natural image to the expressive art image is detailed.From the traditional style of writing,the function of the fictitious space and the artistic meaning,the author tries to find out the unique features and the classic in the form of its form,and further analyzes the structure of its artistic image to the whole fictitious space of the landscape painting of Ni Zan.We should regard it as an artistic symbol of organic whole so as to explore the strong artistic expression of its form.The third chapter is the analysis and investigation of the inner concept of Ni Zan's landscape painting.From the three aspects of nature,life and art,the author analyzes the structural function of the invisible idea to the artistic form of the landscape painting.The organic holistic requirements for the artistic form of Ni Zan's landscape painting in Yuan Dynasty are expounded respectively,and the inner concepts of the view of life with the theme of seclusion on the vulgarity and cleanliness of the artistic form of Ni Zan's landscape painting,and the transcendence of the artistic conception of the spirit of Yi Qi,and the transcendence of the form,are revealed.For the unique spiritual charm has profound influence the structure and Ni Zan in landscape paintings.The fourth chapter respectively from the writing form,composition principle and conception for Ni Zan landscape painting are analyzed.It reveals the unified artistic principles in Ni Zan's landscape paintings and the unique aesthetic characteristics of Ni Zan's landscape paintings.The abstract character of the form of the artistic image of Ni Zan's landscape painting is determined by the principle of brush strokes,which endows Ni Zan with a simple sense of artistic form and a dull aesthetic taste,but it contains a strong artistic tension.As the most classical composition principle of Ni Zan's landscape paintings,a powerful artistic field has been created,which gives Ni Zan landscape a unique aesthetic sense of space.The mood of dispelling cold,Ni Z an landscape painting with the aesthetic quality of the spirit of cool and pure and clean.The three different artistic principle,from three aspects to the distinctive artistic features of Ni Zan landscape painting.