The South Wind And The North Are The Old And The New

once said,"the culture without the historical tradition is unbelievable,and the tradition of no historical civilization can not survive." The study of watercolor in contemporary China is just like this.If there are not many excellent performances and collections of regional civilizations,there can be no manifestation of the whole nation and the whole nation’s social and cultural ideology.With the coming of twenty-first Century,today’s literary ideology has manifested pluralism.The difference between regionalism and nationality is narrowing.As well as people’s great changes in the surrounding environment and artistic conception,the exploration of contemporary watercolor is coming.It is a special cultural background or the regional environment,should be explored and exploration,finally formed the unique individuality appearance of paintings.The watercolor painting is not only a very ancient painting,is also a very expressive force of modern painting,in today’s rapid development to explore a set of inheritance and innovation in the field,the first to go through the regional,cultural,national awareness,create new watercolor painting language and style characteristics.In the performance of watercolor art language,the local environment,the artistic infection of local culture to the painters,or the natural ecology,or the traditional national culture,have led to the idea of painting creation.Based on this,this paper studies and explores the characteristics of Xu Zhanzhi’s landscape painting and ink painting from the perspective of inheritance and creation.This article is mainly divided into five parts to discuss the paper.The first part is the introduction of Xu Zhi Zhi.The second part is the research of Xu Zhanzhi’s landscape painting characteristics.The third part is the design analysis of my graduation works,the fourth part is the creation experience,and the last is the summary of the thesis.