Comparative Analysis Of The Performance Version Of "Beethoven Fifth Violin Sonata"

Beethoven Violin Sonata No.5,Op.24,also known as Spring,is one of Beethoven's 10 violin sonatas,belonging to Beethoven's early to middle transition period.The feeling of being like a spring breeze belongs to the pure classicism style,and gives people an optimistic,free and positive spirit.This paper chooses Beethoven Violin Sonata No.5,Op.24 as the object of study.Focus on David Oistrakh and Leif Oberlin,Yehudi Menuhin and Wilhelm Kempff,Itzak Perlman and Vladimir Ashkenazy,and Anne-Sophie Mutter.The four recorded versions of Phil Mulder and Lambert O'Keys were analyzed and compared.The full text is composed of three parts,the first part is the introduction,the research significance and present situation of the thesis are discussed,the second part is the text part,which is composed of two chapters.The first chapter introduces Beethoven's life and the background and style of Beethoven Violin Sonata No.5,Op.24.The second chapter is the key part of the full text,which is divided into three sections.It mainly introduces the four recorded versions of "Beethoven Violin Sonata No.5,Op.24" selected by the author and the players.And from the speed and performance details of the performance version of the style is compared.The third part is the conclusion part,which summarizes the whole text,and according to the individual some suggestions are put forward for the reference of the performance version and the grasp of the music style.Through the analysis and comparison of the different deductive versions of this work,the author sums up the commonness and individuality among the different versions in order to learn more deeply about this work and further deepen the understanding and style of the works.And may leave the reference opinion to this work research.