The Expression Of Oriental Sentiment In The Creation Of The Group Painting "The Girl In Memory"

For a long time,Oriental paintings have provided an endless stream of artistic inspiration to artists from all over the world with their unique aesthetic spirit and artistic charm.In the process of the collision and blending of the Chinese and western culture,many domestic contemporary artists in the western modern modelling and related techniques,on the basis of the nature of Oriental elements,to have adornment style of painting creation,to create a unique Oriental emotional appeal in the picture.Therefore,the author also learn to use the framework in the form of "eastern" painting"the memory of a girl" series of creation,and mentioned in this article refers to carried out at the center of the western and east region including China and Japan.The article is divided into five parts,the first part of the author takes the "Oriental sentiment" as the entry point of the research,tells the origin of creation and the meaning of"Oriental emotional appeal" in theory.In the second part,the author sums up the main form features of Oriental painting,which is mainly composed of floating world painting,rock painting and Chinese brush painting.The third part based on the related theoretical research,the author combined with the practice of their specific work in this paper,the in the process of creation of eastern forms of use as well as the problems encountered during and solution.The fourth part sublimates the "Oriental sentiment" and summarizes the creative harvest:in the form of discovering and understanding the formal beauty of Oriental art,and making appropriate innovation;On the emotional content in the complanation depiction representational realism,women’s life and mood relaxed quietly elegant,and mining in the research process the profound emotional connotation and cultural charm,behind the painting to better grasp the aesthetic needs of the present.In the last part,the author makes the final conclusion on the whole article and the creative practice.In the process of creation,the author USES the form of "Oriental" and constantly breaks through the innovation to find a way to fit his own creation.