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Oriental Elements In Wester Painting

Posted on:2012-06-06Degree:MasterType:Thesis
Country:ChinaCandidate:C J LiuFull Text:PDF
GTID:2215330338971337Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In the original art, or in ancient times, East and West is similar to painting, is a straight line shape, flat painted coloring. After the sixth century AD, Eastern and Western painting embarked on very different paths. Drawing attention to the Western scientific rationality, the pursuit of three-dimensional shape in two dimensions the way phantom of bionics, and Oriental paintings and then embarked on curve modeling, focusing on the Symbolism of that road. However, different from painting in the East-West road, because of East-West cultural exchange, a keen sense from time to time, seek innovative Western artists found inspiration in Oriental art, drawing nutrients, in promoting the history of Western painting, paintings of different schools of Marxism and played a role can not be underestimated, but also a number of outstanding artistic achievements of the master.Japanese scholars too Kiichiro Kobayashi 17-18 century that should be popular in Europe, "Rococo" art known as "China - French"; Louis XIV built Versailles "porcelain palace" to express his interest in China; Louis XV and his concubine are the French Division of Oriental crafts shop DU long-off. Rococo painter Watteau study of Chinese youth had a "better show map", in La Miai castle in decorative work for thirty pieces of China has drawn characters, thought by the Taoist philosophy of Lao Tzu, he Chinese landscape paintings as poetic mood; Rococo palace heyday chief painter Boucher, who has designed a set of weaving the Royal Beauvais nine Chinese theme tapestries, Louis XV sent by the Qing Emperor Qianlong as gifts . Nineteenth-century neoclassical painter Ingres, because of its rich artistic language Oriental taste, was then known as the "mistaken born in the mid-19th century Chinese artists on the ruins of Athens"; contemporary romanticism often the exoticism of their painting as a genre defined standards. An impressionist painter said this: Ukiyo-e to promote the development of the Impressionist style, no Ukiyo-e, perhaps even impossible, Impressionist painter boldly sit on the Seine river, the direct use of paint on canvas depicting a red a roof, white walls and tile; Japanese Ukiyo-e Museum, Nobuo Sakai said, "Ukiyo-e not only bring new ways of composition, it allows the artist to realize that art is not only the brain needs a good imagination, but also has a courage to the hearts of realism. "; Matisse said," My inspiration comes from the East ... ... "; Van Gogh in a letter to his brother, wrote:" We like the Japanese paintings, we have been its impact. "; Bi Sha Luo wrote in the letter: "The Japanese artist made me more convinced that many of our views"; Monet's life in his living room hanging on the walls of the Japanese Ukiyo-e works of later life in Japanese-style bridge next to the pool and do not want to out of the courtyard, depicts the love of a pool of water lilies, engrossed in nature, is willing with nature; Picasso old age very enthusiastic study of Chinese traditional painting, has a strong will to think of an ancient civilization of the Chinese point of view see; Schiller carefully studied the Chinese line drawing, sketching in the intensity of the vibration that has the line, the seal of Chinese have brought his signature style has a unique self-contained alternative school are personalized painting; Trout tired grams of Ukiyo-e prints by Japanese painting also inspiration, his lines with a smooth, flat coated colors, decorative patterns, and posters with the rhythm became deformed after the performance of the most characteristic impression of the performance during the period; Klimt, on strong colors, crisp lines of the Chinese New Year and a keen interest in Korean folk painting; Whistler to decorate his home Japanese style, his paintings are summarized as "the Japanese soul immortal Spaniard has been physically concrete manifestation. " ... ...Oriental painting their own unique spiritual and artistic aesthetic charm to the world and provided a unique personality and style, including the performance of the new school of painting founded the movement as well as elegant and offers endless lines to flow head give rein to one's feelings of "tour" for the aesthetic principles The "cavalier perspective" and the composition rules, to penetrate the "virtual and real," the Chinese classical deep philosophizing of the "black and white terms," the art of dialectics, in pursuit of "Lively" as the core meaning of the "charm" and the dense the poetic "Mood" and other aesthetic means the return of the painting judged to specification, is undoubtedly the art of painting the world to learn, enrich and develop the important driving forces. Endemic countries in accordance with national artists, life still learning to develop the aesthetic sense and the values of these mysterious and oriental charm with the norms to be free to choose, create more new art world.
Keywords/Search Tags:oriental elements, curve modeling, flat painted coloring, decorative, Symbolism, Subjective performance
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