Ma Yifu's Calligraphy Research

Ma Yifu is a model scholar of academic excellence in the republic of China,and has three kinds of teaching,teaching and learning of poetry,Confucianism and neo-confucianism.The study of Ma Yifu is rich: from exegesis to western learning,from western learning to Buddhism,to the old school,and finally by Buddhism,the Confucian classics,the heart of the six classics.Extensive knowledge reserve and profound traditional culture accumulation have made the formation of its "Hui tong" academic view.This kind of "pass-through" thought is manifested in the calligraphy,and Ma Yifu advocated renaming and untangling various viewpoints,and took hundreds of brushstrokes and put them on their own.This paper discusses the concept of "convergence" from four different perspectives.Ma Yifu advocated that "avoid the door to see,be compatible with 100";The calligraphy learning idea of "making use of the essence and the change";"A combination of tablet and tablet,ancient for the present".In addition,Ma Yifu thinks that the scholar should be in the cultivation,self-cultivation,and the detection of calligraphy.On the basis of this,Ma Yifu did not go through the various inscriptions,and the various strokes were merged into the bottom of the hand,which was unified by means of "convergence",and then expressed in the form of works.Ma focuses on running script writing has always been to "two Kings" as the Pope,and to the north of wei rubbings book its bones and muscles,again by SuoJing increase its replete on instrument,in addition,combined with his life learned infiltrates the bookish,thus formed the elegant ease common book wind.Ma Yifu seal script,on the basis of the past generations of ancestors,is based on li si,and this is the zong guang-qin stone,will "the body","pen" will be in his calligraphy creation.His official script and the ode to shimen winding ups and downs of gas and north tablet XiongQiang trend,in addition to of Zhou brushwork fluctuations increased the official script horizontal stroke,quite has the interest of Samuel,crime,reflects the official script of the beauty of rhythm.To sum up,Ma Yifu's calligraphy theory and creative practice are the concrete interpretation of his "pass-through" and the external manifestation of his "Hui tong" academic view.