On The Performance Of "The First Erhu Rhapsody" And Its Second Creation

In 1980s,Wang Jianmin appeared in the music circle of our country as a famous composer.He created many music works,among which there were 4 erhu Rhapsodies in his erhu works.The thesis is mainly based on the first Erhu Rhapsody,and the first Erhu Rhapsody is a very modern mood with the background of Yunnan music.Erhu music,the folk traditional music material of our country as the foundation of its music works,in the shackles of transcending traditional techniques,but not deviating from the traditional techniques,it also integrates modern composing techniques,thus giving this musical works a kind of distinction if it is out of the ordinary.The stylistic features of the The emergence of Rhapsody has opened up a new world for Erhu's creative field,and has brought great influence to erhu art,and the development of erhu playing technology has been greatly promoted.However,the artistic value of music itself lies in hearing.In music aesthetics,the performance process of the performer is called second creation,and each performer's different understanding of the tune will give different vitality to the tune.This paper analyzes the performance and second creation of the first and second Hu Rhapsody,in order to explain the influence of Rhapsody on promoting the development and prosperity of Chinese folk music and to further highlight the difference.The music understanding of the second time will give a new meaning to the second creation.