Research On The Aesthetics Of Wanma Caidan's Film

As the pioneer of "native language movies," Wanma Caidan is one of the most important Tibetan directors in the new century.This director,who turned from a novel creation to a film creation,created a series of small but high-quality film works with passion and introspection of his own culture.From "The Quiet Stones," "Looking for Wisdom to Beauty," and "Old Dog," the "Tibetan Trilogy," to the "Taro," which won the Golden Horse Awards,Wanma Caidan used his own efforts to make The audience had a deeper understanding and understanding of Tibetan films and Tibetan culture.Therefore,the study of Wanma Caidan's film works is very meaningful.This article will combine the film and television aesthetics knowledge,analyze the works of director Wanma Caidan.The introduction of this article,combined with the historical analysis of the historical background of the Tibetan film creation,introduced the research status of the research object of this article Wanma Caidan director film.The main part of the text starts with the creation experience of director Wanma Caidan.Wanma Caidan's early rich novel creation experience has laid a good foundation for his film creation,and he hasn't started to shape the storyline and character.Scholars are green.In the second part of this article,through the relevant knowledge of audio-visual language,the image and sound effects of Wanma Caidan movies are analyzed.The third part undertakes the previous audio-visual language and mainly analyzes the classical aesthetic features of Wanma Caidan's movies.As a Tibetan director,Wan Macai's film work can not be explored only from the perspective of audition.Therefore,the final part of this article analyzes and researches from the aesthetic implication,that is,the connotation of the film,and mainly analyzes the people reflected in the film.With regard to sexuality and identity,at the same time,I believe that the identity anxiety that Wanma Caidan's director shows in the film is universal.In the conclusion part,the author pushed forward from the rise and development of the Tibetan films represented by Wanma Caidan and explored the possibility of the future development of Chinese ethnic minority films.