The Study Of Chao'er Music In Inner Mongolia Royal Orchestra In Modern Times

The distinctive music of Chao Er has gone through a long development.It is not only an integral part of the whole Mongolia music culture,but also a living fossil of the Mongolian ancient music form.Its multi voice feature is one of the most important forms of Mongolia music.The music of Chao Er is not only the essence of the nomadic music culture in northern China,but also permeates the Mongolian People's unique aesthetic and cultural values towards music.With the progress of ethnic music research in China,The Chao music of Mongolian has gradually become a popular topic nowadays.Many scholars have studied it from various angles.As the native grassland of Mongolia,is also deeply influenced by the monasteries childhood choir music,have deep feelings for the hometown choir music culture,so in the thesis as research Chinese 1840-1949 years of Choir music.In this article,the author divides the text into the following chapters.The first is the introduction,the reason of selecting this subject as graduate,and the current situation of the academic study of choir music from papers and monographs are described,then the research significance and research methods and objectives are described;the current academic circles there are more different view on the concept and the classification of Chao Er music as the first chapter of the thesis,the author to further clarify the concept of "Choir" one word,the meaning,definition and four kinds of Chao Er of ancient and modern music of the word are studied,finally the concept is the choir music includes vocals,instruments and.Many parts of the music form of vocal and musical instruments and musical instruments,in a certain period of time also had a single particular musical instrument,and choir music eventually divided into horinchoir,risk A choir,choir and Ekel choir,four;research shows that music culture and the development of the times and the social background at that time all cannot do without,so the first chapter mainly introduces the development environment of this period of 1840-1949 years of Mongolia's social background and music of Mongolia,and will be eight Mongolia area of the period of the formation of the style of music in the choir of musical style,formation of these areas also have a certain relationship with the local culture and geographical position;in the second chapter,the author focuses on the distribution of the period of the choir music with the development and origin of four kinds of Choir Music was expressed after the further research on the classification and distribution of the area,which also was expressed and to study the relationship between Maodun Chor and Hujia,this chapter of the second section,pen Will also change the important role in the development of the band's artists of the period in the choir music and fading are studied,in addition,the development of choir music heritage selaxi's contribution is also a narrative and description;the third chapter in the first section the author summarizes the factors restricting the development process of ChoirMusic the restrictive factors which mainly include people with musical instruments in the development of Chao Er restricted relationship and choir music by the strong impact of foreign culture,influence the development of Chao Er music in section second of the Mongolia music culture in the analysis,including the influence of Mongolia choir music music culture and national aesthetic thought,influence of Chao Er music on Mongolia music mode concept and music on the Chao Er artist's emotional status and cultural identity.