The Life Experience Of Choreographed Choreography Is Reflected In The Work

The development of editing and innovation in the history of Chinese dances has been various with different styles to the present day,among which there are numerous touching works of art.Among them,some are created by means of choreography,and some by relying on their own artistic sensibility and life perception.It is precisely because different editors have different artistic ideas and feelings that some great works will appear in various ways.This paper will compile what the author has learned,seen and thought,starting from the feelings and inspirations obtained in the life experience based on the three years of study in MFA.And the paper will look for the dance vocabulary that conforms to the aesthetics of the public and the ideas conveyed by the works from the writer’s own practices.The paper also hopes to find its own unique and distinctive dance creation style in practice.The thesis will discuss from three aspects:First,the various stages in the practice of creation--the germination,the collision and the growth.Second,the sentiments gained from the experience of life are refined through art to integrate them into the work itself.The third is the practice process of the work"Zishu’naotian",which combines traditional media with innovative elements.In this research,the paper will explore how to edit and innovate dances by the means of its own understanding of life and how to refine the emotional experience in life through the art creation combined with the author’s feeling through the knowledge of the uniqueness of dances.The whole research direction and the creative process are based on the impulses generated in the process of personal experience and will explore dance creation combining its own way of thinking and life experience,after many appreciations of classic works.