The Classification And Research Of Folklore Phenomenon In Traditional Cross Talk

Traditional cross talk is a sort of "Quyi".As an important part of Chinese traditional culture,the traditional crosstalk gradually evolved from the simulation of oral performances to the form of today's performances which integrated the single-mouth crosstalk,the counterpart crosstalk,and the group mouth comics into one.In recent years,with the wave of Chinese traditional culture rejuvenation,the once-fading traditional cross talks have been re-loved by the audience for their unique performances and all-encompassing performances.The “folklore” content is a “main force” that traditional crosstalk attracts the masses.Traditional cross talks' authors and performers,comes from the private sector,and the audience group is mainly for the masses.It is an inevitable trend to collide with folklore as a traditional folklore.China is a country with a long history of folk culture.All ethnic groups born and raised in China have rich folk cultures created by the people and passed down from generation to generation.This paper takes the cross-talk in "Chinese Traditional Cross-talk" as the main research text,and studies the selected content of folklore.Firstly,the paper analyzes the origins of traditional cross talks,the characteristics of authors and performers,and the characteristics of audiences.The traditional cross talks can preserve the causes of folklore content,including the folk nature of the development of the formation of the song,the folk character of the creators and performers,and the folklore of the audience.Secondly,the selection of folklore is classified into three categories according to folk customs: material life folklore containing "clothing,food,shelter and transportation",social life folklore about "language folklore,social organization,festivals and rituals of life",and the spiritual life folklore of the two categories of "folk beliefs and entertainment folklore".Borrowing the original passage in "Traditional Crosstalk" to elaborate on the folklore in cross talk.Finally,the traditional comic dialogue retains a large amount of folklore,whether it is for cross talk or for folklore,it has important significance.For cross talk,the comic dialogues that accommodate the folklore content are more widely accepted by the masses,making the cross talks have a higher cultural significance.For folk customs,many ancient and almost lost folklore phenomena are preserved in the motherhood of cross talk,which is of great significance to the protection of the national intangible cultural heritage.The satirical function and the singing function of the traditional cross-talk make the folk culture constantly optimize itself through the censorship of the times.The "living fossil" of folklore is not only a cold textual explanation,but also a lively present in front of the masses.