Research On Jiang Zhaohe's Realistic Concept Of Artistic Creation

In the early 20 th century,whether or not to absorb Western "realism" and how to use Western "realism" has been heatedly debated.So far,people are talking about "realism." With the blending of Chinese and Western art,how to treat the "realism" of the West and how to use Western art to solve the problem of Chinese painting has been controversial and a problem to be solved in the future.Judging from the performance characteristics of Chinese figure paintings in contemporary society,many of the themes that express people's real life are using the expression of “realism”.Therefore,it is very important to explore the source of this “realism” concept.As a foreign concept,“realism” has experienced a long process of absorption and acceptance in China,which has had a great impact on Chinese traditional figure painting.With the continuous efforts of artists,this western “realism” language has gradually transformed.Into China's "realistic" language,forming a language system in line with the Chinese public aesthetic.The "realism" of Jiang Zhaohe's paintings is based on the "ecstasy" of Chinese paintings,combined with the "realistic" modeling factors of the West,using the "realism" of traditional Chinese landscape paintings and painting methods in flowers and birds paintings.He uses this "realistic" technique to express his performance.Realistic works with humanistic care have far-reaching influence and great impetus to the development of modern Chinese ink figure paintings.This paper explores the historical development of Chinese and Western "realism",analyzes the paintings in Jiang Zhaohe's works in different periods,and concludes that the "realistic concept" in his paintings is based on the tradition of Chinese painting and combines the characteristics of Western "realism".Concept." Therefore,the causes of Jiang Zhaohe's "realism concept" and its influencing factors are studied,as well as the influence on the contemporary.