Freehand Exploration Of Chinese Contemporary Oil Painting

In recent years,such as "image oil painting","freehand brushwork in traditional Chinese painting","disconnection" oil painting "and other titles with appeared in various journals newspapers in the literature,the appellation is refers to Chen,but the lack of a clear value orientation and structure,in this paper,to solve the first problem is the logical analysis after" Chinese image oil painting scenery "involved in the basic connotation,trying to make it by a relatively vague concept scope gradually become clear,clear,and the road of the development of Chinese image oil painting.Expound the representative style and form pursuit of Chinese imagistic landscape painting.This paper focuses on the image study of Chinese image-landscape oil painting,taking the works of su tianci and shen xinggong as examples,trying to extract the universal laws and common characteristics from the individual cases,and analyzing the deep reasons for the emergence of the above characteristics in the context of Chinese culture and jiangnan region.Based on the current painting context,this paper discusses the development of freehand brushwork in contemporary oil painting,and discusses the inheritance of Chinese freehand oil painting and the current problem of "freehand brushwork" by combining the specific examples of freehand studio of south art academy of fine arts.The key point of this paper is to make the concept of Chinese image oil painting clear and definite,and to expound the development of Chinese image oil painting.The image oil painting of su tianci and shen xinggong is analyzed in detail.The difficulty of this paper is to discuss the relationship between Chinese image oil painting and jiangnan culture,analyze the aesthetic implication of jiangnan culture,and explore the image presentation of jiangnan schema in Chinese image oil painting.In the fourth chapter,combining with the current context of Chinese oil painting,this paper discusses the development of freehand brushwork in contemporary oil painting,and discusses the inheritance of Chinese oil painting and the current problem of "freehand brushwork" in combination with the specific example of freehand studio of south art academy of fine arts.