A Study Of Self-reflective Documentary Images Of Chinese Female Directors In The 21st Century

At the beginning of the 21 st century,a Reflective Documentary image in the form of anti-mainstream documentaries appeared in China.Especially,the phenomenon of female creators using this type of technique of creation is particularly remarkable.Female creators point the camera at themselves,explore from the deep down,let the camera intervene in the family and participate in the shaping of the relationship within the family,show the internal contradictions of the modern family,and reflect the situation of modern women in the country and society.The self-reflective techniques of creation confidently shows the presence of the camera and the producer.The narrative rhythm of the film is based on the creator's personal experience,and it pursues the self-reflection.This creative approach also provides new ideas for the public in the Truth of the documentary.Based on the above understanding and cognition,the paper is generally divided into four parts: The first part is to sort out the origin and concept of self-reflective techniques of creation.The second part is to start from the female identity of creators,discuss the identity construction of creators and how they break the dualistic way of thinking under patriarchy in their works.The third part is to discuss the family theme,the ethical break in modern families,and the participation and reshaping of cameras in self-reflective techniques of creation that female creators focus on through six image works.The fourth part is that the anti-traditional model in the creation self-reflective recorded images is of post-modernism;and it brings a new space of thinking to the audience from the viewing effects,conception of reality of recorded images and narrative strategies.