Analysis And Research On Singing Of "Baishi Taoist Songs"

Cidiao (tonal pattern and rhyme) songs are one of the peaks of the development of ancient Chinese art songs.Jiang Kui,a musician and writer of the South Song Dynasty,left 17 valuable cidiao songs with pang tablature(also known as "Yanyuebanzi tablature","Song Dynasty suzi tablature")in his Songs of Baishi Daoren.Among thses seventeen works,Jiang Kui's self-innovative rhythmic,which not only annotates the Gongdiao(pitches and modes),but also annotates the characters,is the most reliable literature material for studying the Song Dynasty's cidiao.Song Ci,as a kind of concert literature,has always been an indispensable part of the study of ancient Chinese music.Of the 17 cidiao,only part has been widely sung,but there are still more songs that have not been widely spread.With the continuous development of national vocal music art,every worker who studies and teaches vocal music in China should take it as an obligatory duty to carry forward the excellent cidiao songs of ancient China.In this paper,adopting literature research,music analysis and practice of singing these three methods to combine the related information of Jiang Kui's cidiao songs,ancient poetry singing theory with singing practice,and to discuss the overview,the artistic characteristics and the singing of Baishi Daoren.The first chapter is the introduction part.It mainly discusses the reason and significance of choosing the title of Songs of Baishi Daoren,the research status of it at home and abroad,and the research methods of this paper.Chapter 2,a summary of Songs of Baishi Daoren and Jiang Kui,the author of it.Telling the story of his lonely and poor life,the situation of his troubled and prosperous country,and the lover of Hefei who can not find his affection.Afterwards,it briefly introduces the work "Songs of Baishi Daoren "from three aspects:the background,the way and the time of creation.In the third section,Songs of Baishi Daoren are reflected from the analysis of singing cases.Firstly,the starting points of three works,namely Qiuxiaoyin,Danhuangliu and Geximeiling,are carefully analyzed from three parts:the main idea of lyrics,the characteristics of song structure and singing analysis.Finally,the singing points of Songs of Baishi Daoren are summarized from individuality to generality.The problems needing attention in singing can be divided into three aspects:emphasis and difficulty in singing,role shaping and the relationship between voice and emotion.The last chapter discusses the artistic creation characteristics of Songs of Baishi Daoren on the basis of previous research and analysis.In this chapter,I will discuss the artistic characteristics of words and songs separately.In the section of artistic characteristics of words,I will divide them into content and emotion.This paper makes an analysis and study from three perspectives:the coincidence of word dependence and the creation of word order.In the section of the artistic characteristics of "Going",it is narrated separately from three angles:singing,mode characteristics and musical structure.Finally,in the conclusion,I express my good expectation for the inheritance and development of Songs of Baishi Daoren.I hope that through this paper,more workers who study and teach vocal music will turn their eyes to Jiang Kui and his Songs of Baishi Daoren,understand and study the cidiao songs,cultivate themselves with etiquette and cultivate their minds with music.