The Symphonic Exploration And Performance Analysis Of Liszt's Works

Liszt was a well-known musician and pianist in Europe in the 19 th century.He had held many piano concert tours,and had outstanding accomplishments in composing and piano performance.Liszt believes that the piano has great potential to be comparable to the symphony orchestra,and a variety of piano compositional and playing skills can be used to create a rich effect of the symphony orchestra.The writing technique created by Liszt’s constant exploration is called "symphonic treatment" by Schumann.The author has read a lot of papers and works about Liszt.However,some of the papers only focus on the symphonic characteristic,and do not have a detailed interpretation of one of Liszt’s works.The others only analyzed the form of Sonata in B minor,summarized the style characteristics,and did not have a detailed analysis of the playing skills.The author believes that Liszt’s Sonata in B Minor is rich in content,huge in structure and very distinctive.Therefore,taking Sonata in B Minor as an example,the details containing "symphonic treatment" are studied,and a detailed analysis of musical form and performance skills is carried out from the point of compositional skills.This paper is divided into five chapters.The first chapter is the introduction,which clarifies the significance of this topic and the current research status of this issue.The second chapter is an overview of Liszt and Sonata in B minor.The third chapter explains what the symphony of piano is,and then analyses the symphonic treatment in Sonata in B minor from the perspective of compositional skills.The forth chapter analyses the musical structure of the four parts of the work and summarizes the symphonic characteristics from the aspects of the theme,texture,tempo,rhythm and harmony mode of the work.The musical form from the points of theme,texture,tempo and harmony of the work.In the fifth chapter,starting with the performance skills,the author further studies how to perform symphonic effects in terms of touching keys,pedals and rhythm of the work.