Analyze Ke Xiang's Main Singing Voice In The Revolutionary Modern Peking Opera "Azalea Mountain" With Western Opera Orchestration Technology

The revolutionary Peking Opera model opera was born in the special period of China's political and ideological road,and it has left us with extremely valuable artistic research value in terms of ideological,political and artistic aspects.The revolutionary modern Peking Opera "Mountain of Cuckoo " was published in 1963.In the following year,a revolutionary Peking Opera modern drama viewing performance hosted by the Ministry of Culture was held.The Beijing Peking Opera Troupe and the Ningxia Peking Opera Troupe performed two versions of the Peking Opera " Mountain of Cuckoo ".After the performance,the masses responded enthusiastically.From 1972,the then Minister of Culture and composer Yu Hui yong dominated the overall creation and upgraded the Peking Opera " Mountain of Cuckoo " into a revolutionary modern Peking Opera.The creative team of Peking Opera " Mountain of Cuckoo " focuses on integrating Chinese and Western cultures and constantly innovating.Xu is the coincidence of history.Wang Shuyuan,the screenwriter of Mountain of Cuckoo,was born in a national opera actor.After he took over the leading creative overalls,his creative concept is closer to the Western opera creation method.This is not the artistic creation of the script.Get together.This kind of creative mode is more conducive to the unity of the author's music and theme,from vocal or vocal,from the orchestration to the band command,because the swimming will dominate the overall situation.Therefore,in terms of the integrity of the unified music theme,the Peking Opera "Du Fu Shan" has reached an unprecedented perfect presentation,and is a master of the revolutionary Peking Opera model opera.During the "Cultural Revolution" period,there was strict control over the artistic and ideological nature of opera works.The principles of "three prominent" and "three combinations" have a serious impact on the humanity and artistry of the model opera.However,in such a special period,the artists opened up a new path for the Beijing opera of revolutionary modern theme.Based on the existing research on modern dramas of Peking Opera,it is more about the analysis of literary scripts or classical arias,but it is rarely discussed in the aspect of orchestration music.Therefore,this article will be based on the Western opera creation techniques,comprehensively grasp the overall situation,focusing on the comparison between the main vocals of Ke xiang's main vocals and the Western opera techniques in Mountain of Cuckoo.