The Existence Of The Expression Of Materiality—Research On The Application Of Oriental Traditional Culture In The Creation Of Installation Art

Through the definition and scope of the concept of oriental traditional culture and the analysis of the concept of installation art,this paper explores the application of oriental traditional culture in the installation of art and fully reflects this cognition in the creation.The article is divided into four chapters: The first part is the elaboration of the concept and scope of oriental traditional culture,and is limited to the scope of the Chinese cultural circle.The second part is an analysis of the artistic concept of the installation and the characteristics of the installation art of the installation artist in the Chinese cultural circle.The third part is to analyze the significance of the application of oriental traditional culture in the installation of installation art.Through the case of some Western installation artists' works in the context of oriental culture,the installation works of the Chinese cultural circle are carried out.Analyze and elaborate to summarize its significance.The fourth part is a summary.Through the study of the oriental traditional culture in the installation art,combined with his own creative practice,he finds a language-physical expression.As an art worker,in the process of long-term artistic practice,there is a unique creative cognition of the world and the environment for growth.The aesthetic taste of the East is different from that of the West.As a Chinese artist,it is also different from the aesthetic thoughts of Korea and Japan,which belong to the Chinese cultural circle,and finds more suitable physical expressions from the materials.