Aesthetic, Physical, Ideological

Content:Of modernity can not avoid as a keyword, ideology appears in almost every book on modern research in the academic monograph. In fact, the ideology itself does not provide the knowledge of truth. Rather, it is more revealing to us a kind of reality show "symptoms", such symptoms suggest the value of knowledge itself with a hidden external relations. It is based on the significance of this, Terry Eagleton's "The Ideology of the Aesthetic" only shows its deep place. In his view, the aesthetic history as "ideological"and a "symptom",implicitly expressing the struggle between materialism and idealism, which compete forthe right to speak of knowledge behind it is that race Species are known as ideologicalpractice Something must find its most stable position, and this position is that the "body" of the use and exploitation above. No deep insight into this point, we can notunderstand the revolutionary Marxist theoretical discourse exert force on the reality ofthe impact of effective and reasonable path, and this for us more clearly understand the whole post-modern chaos theory has an important sector Guiding significance.Paper is divided into four sections. The first chapter is an introduction, focused on the"The Ideology of the Aesthetic" of the domestic research to do an initial induction, the discussion of domestic ideology and more on aesthetic is based on "ideology"as the core and the lack of "body" of concern, but in fact, Ideological function effectively is relying on the"body"and complete. Chapters II and III is the core of the paper. Chapter deep within the text to clarify the aesthetic, physical, and hidden relationships among ideology, and inthis relationship on the basis of the text unearthed a precious legacy left to us-back toMarx, it not only requires us to To address the revolutionary theory of Marxism, but alsorequires us to regain this revolutionary weapon, the complex of post-modern theoretical concepts to make the distinction between rational and effective. In fact, Eagleton was not in the position of pure knowledge learn to analyze text on aesthetics, but to shape the evolution of aesthetic knowledge to analyze the ideology as text production problems.In his view, the whole history of modern Western aesthetics is a history of ideological discourse and political discourse history, the one hand, we note that the idealist and materialist aesthetics is to develop a new battlefield, writing this message of power between themHe has long tension, this tension reflected in the more aesthetic of the body on the problems encountered by borrowing. And this problem-that the depth of division between form and content can be used as a kind of "symptoms", exposing the underlying bourgeois ideology encountered difficulties-the kind of emotional, individual, individual and directnessabstract, non-free, allegorical, ethical, hard to bridge the divisions between individuals.Thus, it can be said in the aesthetic field of ideological production and middle class struggle to win political leadership are closely linked.The rise and development of modern aesthetics, to some extent against the despotism of the bourgeoisie to construct their own discourse in the practice of historical writing.The third chapter is on narrative theory of the body, through the "body" of the distinction between analysis of the implicit focus on the key words in the body under the arms between nature and culture, but the basic opposition to this hidden deep insightIt is one of the use of Marxist theory, which to our understanding of ourselves and the relationship between themselves and the world is significant.Arms between culture and nature exposed divisions within the body, which also makes the binary split between the samples showing a more complex state, which exposed the internal relationship between the individual and society relationship.This relationship hidden in the folds of every life, lurking in the depths of each person's unconscious, it is the depth of trauma as a whole society in exposing political problem, but also set up a maze of self, so that individualfrom his "body" farther and farther.And on the "body" of the theory of narrative discourse is a system in another extension of this problem out.The third chapter discusses the seemingly chaotic and loose is precisely this fact to show the "body" of the modern narrative, a kind of chaos and sober rational analogues.The fourth chapter is a summary of the contents of the article, which again emphasized the "body" in the "The Ideology of the Aesthetic" important role, and requires us always on the tension between nature and culture in order to stay awake and then as an intermediary to achieve emotional and physical Rational balance.