A Comparative Study Of The Performing Arts Of Jiangxi's Gan Opera And Jiangxi's Tea-picking Opera

Gan Opera and Gannan Tea Picking Opera are two major dramas in Jiangxi Province.They are distributed in northeastern and southern Jiangxi and have a broad mass base in Jiangxi.It has strong local dialect characteristics and has made brilliant achievements in opera.It has won the Plum Blossom Prize and the Wenhua prize.It has also rushed out of the country to perform in Hong Kong,Macao,Taiwan and Singapore.It not only represents a local culture,but also becomes a symbol of local culture.When we mention Gan Opera,we will think of Yiyang Opera,one of the four ancient tunes,and Gannan Tea Picking Opera in Jiangxi Province.Ganxi Opera is a classical drama in Jiangxi Province with a long history.It originated in the Ming Dynasty and was popular in northeastern Jiangxi(now Nanchang,Shangrao,Jingdezhen,Yingtan municipal districts,etc.).The voice of Ganxi Opera is composed of Gaoqiang,Kunqiang and ballistics.Gannan Tea-picking Opera is popular in southern Jiangxi(now 18 counties of Ganzhou City),which is a drama derived from people's life and labor and originated in the late Ming Dynasty.Among them,the "short step" with special interest,the rich and colorful "single sleeve" and the changeable "fan flower" constitute the "three elements" of the performance art of Gannan tea picking opera.The most distinctive aria is "three tunes and one tune"(light tune,tea tune,road tune,miscellaneous tune),which adds glory to the opera.As two folk dramas of the great family of Jiangxi Opera,there are some differences in music and performance between the two dramas due to the different spreading areas and living music environment.Through comparison,the specific differences of the dramas in northeastern Jiangxi and southern Jiangxi are presented in terms of singing,repertoire types,stage roles,beauty design,costumes and inheritance and innovation.Let more people understand the Jiangxi opera culture,and further improve the artistic and ideological qualities of the practitioners of Ganxi Opera and Gannan Tea Picking Opera,so as to promote the faster and better development of Ganxi Opera and Gannan Tea Picking Opera.From the perspective ofperforming arts,it is found that there are totally different forms of performing arts in the northeastern and southern parts of Jiangxi,thus revealing the richness and diversity of folk music.Return to the performers of the theatre itself and conduct field research in the theatre.This paper consists of an introduction,three chapters and conclusions.The introduction part mainly elaborates the origin of the topic selection,clarifies the research status of Gan Opera and Gannan Tea-picking Opera,and the related main research results and research methods,as well as the innovative points of this paper.The first chapter mainly elaborates the historical origin and development of Gan Opera and Gannan Tea Picking Opera,summarizes the characteristics of the opera and the music environment of the opera.The second chapter is the core chapter of this article,and analyses the similarities and differences of the performance art characteristics between Gan Opera and Gannan Tea Picking Opera.Chapter III is also an important chapter of this article.To understand the development and changes of drama,we must build on the actors of the drama itself.Therefore,through in-depth study of theatre troupes,taking Ganxi Theatre and Gannan Tea-picking Opera and Dance Theatre in Jiangxi Province as examples,we can see the changes of theatre programs under the changes of the times,and understand the inheritance mode of theatre,inheritance problems and measures In the conclusion part,this paper takes the two major dramas in Jiangxi as the research object,presents the similarities and differences of performing arts by means of comparison,provides the theoretical basis for Jiangxi Southwest and North Dramas,promotes the development of Jiangxi Dramas,enlarges the influence on local dramas,and has certain guiding significance for the development of the two major dramas.Nowadays,theatres have done a lot of measures to protect and inherit local operas,which has played a certain role in the development and dissemination of local operas,but the problem of the faultof theatre personnel has not been solved.