A Study On The Piano Accompaniment Of Wang Jianmin's Two Xinjiang-style Erhu Solo

Piano is not only an expressive solo instrument,but also the most widely accompaniment instrument.It has a wide range of timbre,beautiful timbre,large volume and rich harmonic expression.Erhu is a traditional stringed instrument in China.Its beautiful and mellow timbre has strong singing quality,close to human voice,and strong expressive force,which can fully show the charm of Chinese folk music.The fusion of erhu and piano seems to be clash because they are distinctive instruments.In fact,with the composer's innovation,more and more erhu solo works accompanied by piano have emerged in recent years.These works is rooted in Chinese ethnic,opera and local music,with a strong ethnic music characteristics.As a vast territory and multi-ethnic country,Chinese folk music has unique style characteristics.One of these Chinese folk music,Xinjiang style with erhu works integrated into various the music regional culture in Xinjiang,are popular with the public.The author choose two Xinjiang style with erhu works created composers Wang jianmin,named as"Tianshan amorous feelings" and "the third erhu rhapsody”.Starting from Xinjiang style,this paper analyses two erhu works from as the breakthrough point,including the melody,rhythm,harmony and accompaniment texture.At the same time,combined with the author's own practical experiences,this article elucidate how to deal with the rhythm of the beat,strength,speed,accompaniment timbre and other aspects in the cooperation of erhu and piano.Furthermore,the author emphasize the important of the piano and erhu atmosphere,emotional unity and sound balance in the second creation.This paper consists of four chapters.The first chapter is the overview of the development of erhu piano accompaniment.The second Chapter is introduction of Wang jianmin's works and Xinjiang style.The third chapter analyzes the piano accompaniment music text of two erhu works.And the last Chapter is the integration of erhu and piano.According to deep analysis of the two piano accompaniment works,the author wants to master the characteristics of the piano accompaniment of Xinjiang style erhu solo,and improve the performance of erhu performance in practice.Based on these effort,this paper provide some help for the piano accompaniment and teaching of national instruments.Furthermore,in the future,keep on studying and practicing the combination of other minority musical instruments with piano from these methods.As the result,these findings and practicing make a contribution on inheritance and development of Chinese minority music.