Investigation And Research On Puju Opera In South Shanxi

Pu Opera,also known as Puzhoubangzi,was named after the ancient Puzhou in Shanxi Province and is the first of the four largest bangzis in Shanxi.Its vocal voice is impassioned,euphemistic,with performance bold and unconstrained,delicate and vivid,and is deeply loved by the local people.In May 2006,with the approval of the State Council,Pu Opera was included in the first batch of national intangible cultural heritage lists.Based on literature research and field-work,this paper investigated and studied the drama ecology,music class,regional style,cultural ecology,music and multi-dimensional identity of the drama.It is divided into four chapters.Chapter one:ecology and distribution.In this chapter,from the macro to the micro level,it first sorted out the historical distribution of Pu Opera,and then focused on the development and performance ecology of Pu Opera in southern Shanxi.Specifically,on the basis of examining the natural and human environment of thisarea,this paper analyzes and sorts out the four periods of the history of Puopera from ancient times to the present,namely,the formation period,the development period,the period of change,and the new period.The second chapter:the study of the musicianorganization and the individual musician.In this chapter,the "Drama reform" in the 1950s was used as the time node,and the combination of macro and microscopic techniques was adopted to conduct a comparative study of the musician organization and the individual musician before and after the "drama reform".In the study of the musician organization,the comparative study is made from two aspects:the construction and the organization structure of the organization;In the study of individualmusicians,a comparative study is made on typical artists of different times and the learning methods of musicians.Chapter three:music ontology research.The academic literature on Pu opera music research has made many achievements.Based on the previous studies,this paper combs and summarizes the sentence style,plate style,rhyme,song and Gong drum classics of Pu Opera.Secondly,it makes some exploration in the comparative study of the style of Pu opera music singing.From the diachronic and synchronic dimensions,this paper probes into the regionalization of the style and the characteristics of the development and change of the style in southernShanxi Province.Chapter four:music cultural interpretation.This chapter starts from the perspective of cultural ecology.On the one hand,it tries to construct the cultural ecological model of Pu opera to interpret the composition and changes of Pu Opera ecology from the macro perspective.On the other hand,it explains the identity theory of different dimensions of Pu Opera ecology from the micro perspective.